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Description
E3000C
Optimum sound quality that makes music a pleasure.
The first “final” product to feature a controller.
The sound design we have developed is based on state-of-the-art sound engineering and psychological research findings .
If we follow the usual sound design methods and accentuate the high frequencies, the result may seem realistic on first listen, but other bands are drowned out and almost impossible to hear.
The E3000 series gives no preference to any frequency range and delivers clear sound.
In addition, tiny differences in high frequencies give the impression that the music is playing directly in front of you.
With this product’s natural sound quality, music becomes a pleasure.
Sound design based on sound engineering and psychology.
The sound design was developed by us and is based on state-of-the-art sound engineering and psychological research findings.
If we follow the usual methods of sound design and accentuate the high-frequency peaks, the result may seem faithful to reality on first hearing.
But the ranges running from front to back are drowned out by the high peaks and can hardly be heard at all.
The E series elegantly covers all frequency ranges and ensures, with high resolution, that all ranges sound authentic.
Unique pivoting mechanism for a perfect fit.
Using the pivoting mechanism, the earmolds can be rotated to the left, right or diagonally in the ear canal, to find the perfect fit.
This prevents deformation of the earmold passage, which can result from contact with the ear canal.
The sound is transmitted directly to the eardrum, and is crystal-clear.
Dynamic drivers with Φ 6.4 mm.
The assembly of loudspeaker system parts requires the utmost precision.
The high sound precision of the dynamic drivers, with a small 6.4 mm diameter sound outlet, is incredible for this price class.
High-strength milled aluminum housing + Steel mesh filter.
Compared to a plastic enclosure, the milled black anodized aluminum housing effectively protects the loudspeaker and eliminates unwanted vibrations.
The design, with its simple shapes and high-end coating, is ideal for classic sound quality.
Openings on the back of the housing extend the range of low-frequency reproduction.
To prevent sound loss, these openings are fitted with a filter on the inside and a stainless steel mesh filter on the outside.
Single-button controller with microphone.
The first “final” product to feature a controller.
With a single button, you can access play, stop, rewind, fast forward and receive incoming calls.
The built-in microphone makes hands-free operation possible.
*Depending on the model, some sound reproduction functions may not be available.
Original tips in 5 sizes.
Two silicone materials are used for the ear tips, differing in their resistance to sound transmission and to the ear plug touching the ear.
The silicone for the sound transmission path is firmer than that for the earplug, and thanks to its grooved finish achieves both firmness and flexibility.
The earplugs are made of soft silicone and, in addition to a comfortable fit, achieve a high level of sound insulation.
Ear hooks prevent contact noise from cables.
The entire F series is equipped with ear hooks to reduce microphonic effects.
Conventional products of this type are generally a little larger to suit a wider range of ear sizes.
As a result, ear hooks are often quite visible, and it’s hard to get used to wearing them quickly.
By diligently researching what is the key to positioning the ear hook, we found that it was possible to achieve a shape that would fit almost any ear by greatly reducing the size and eliminating the need for metal or resin wires.
Running-in.
Break-in refers to the phenomenon whereby the sound produced by headphones changes over time and with use.
The earphones contain a small driver; an extremely thin film diaphragm is attached to it by means of a coil and an adhesive agent.
Although this cannot be proven, we believe that in this situation, the adhesive part can possibly influence these infinitesimal movements.
By using the product for a set period of time, the diaphragm moves more easily and sound quality approaches the original design goal.
As this product has a small aperture, a long period of time is needed before the changes due to running-in become indecipherable.
In general, if the product is used normally over a period of 150 to 200 hours, it should seem that the sound has become more subtle.
A more favorable result can be achieved by running the product through the music you normally listen to at a volume you normally listen to, rather than by accelerating aging through very high volumes.
How to put on headphones.
When inserting the earphones, please use the swivel mechanism and tilt the product until it fits comfortably in the ear.
Note the L (left) and R (right) indications on the back of the left and right housings.
Grasp the housing and insert the earphone into the ear canal with a slight twisting motion.
Since sound quality is strongly influenced by the position of the earpiece in the ear, move the earpiece during music playback until you find the most balanced position for you.
Once you know the position, you’ll find it more quickly over time.
* It’s normal for the shape of the left ear to differ from that of the right.
For this reason, the optimum position is different for each ear.
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