R.E.M - Lifes Rich Pageant

LP180g 33T
Edition Limitée Numérotée

1986 Landmark Finds R.E.M. Blossoming Into Iconic Artists: Arguably the Quartet’s Finest-Ever Outing

First R.E.M. Record to Feature Vocals on an Equal Plane With Rhythms: Subtle details and Concerted Purposes Unite Under Banner of Ageless Art

Half-Speed Mastered From the Original Master Tapes: Mobile Fidelity’s LP Exposes Benefits of Cleaner, More Forceful Production

Includes Hit Singles “Fall on Me,” “Superman,” and “Begin the Begin”

Very few albums are regularly credited with changing people’s lives. R.E.M.’s Lifes Rich Pageant is one of them. For a generation that came of age in the 80s, as well almost everyone that came within earshot of its contents, the Georgia band’s 1986 landmark effort remains an utterly distinctive sonic blend of elegance and whimsy, seriousness and humor, artfulness and accessibility. It’s here that R.E.M. evolves beyond its college-rock identity albeit retains its youthful innocence, here where Michael Stipe’s enigmatic vocals finally attain the same level of prominence as the group’s potent rhythm section.

Half-speed mastered from the original master tapes and meticulously pressed at RTI, Mobile Fidelity’s 180g LP version of this masterwork allows the record’s expressive punchiness, dynamic extension, treble-driven jangle, and more forceful playing to be experienced as originally intended. Indeed, Lifes Rich Pageant is notable for its production: Board operator Don Gehman lends the group a harder edge and cleaner sound than it had in the past. On this audiophile-grade reissue, the results come to the fore in the form of contemporary-sounding arrangements, cohesive structures, and cleaner tonalities. If anything, this LP helps make the case for the many that Lifes Rich Pageant—not Murmur or Reckoning—stands as the band’s finest hour.

Lyrically, R.E.M. hits upon more concrete themes, and while Stipe’s occasionally mumbled singing still lacks clear enunciation—a trait that adds to the songs’ mystique and surrounding textures—there’s no mistaking the overt political and environmental sentiments in tunes such as the hit “Fall on Me” and gorgeous “Cuyahoga.” Similarly, “Flowers of Guatemala” epitomizes R.E.M.’s hallmark ability to turn allegory into dreamy poetry, the counterpoint melodies, atmospheric guitar fills, and majestic bridges all enchanting devices of a band that manages to get its point across via spiritual performances and indirect suggestiveness.

Such qualities lie at the heart of Lifes Rich Pageant, on which subtle details and concerted purposes unite to make transcendent, lasting art. Bolder, more pronounced, refined, and immediate than that on previous efforts, Mike Mills’ bass lines and Peter Buck’s swelling guitar passages augment the hard-driving beats as well as Stipe’s increasingly upfront vocals. Disposing with the intentional murkiness and subconscious approach of earlier records, R.E.M. goes in attack mode here, with even mellow numbers resonating with an attention-getting kick. It doesn’t hurt that the band covers the field with expertly executed songs that comprise garage rock, jangle pop, rustic country, and more. What a record.

We don’t need to tell you about R.E.M.’s importance to modern music. And this record plays a large role in establishing the group’s reputation.

"Original IRS pressings are not hard to find for a few dollars, making this reissue seem curious -- until you hear it. The difference in volume between old and new is immediately apparent, the original LP sounding much louder. Its compression and resulting lack of dynamic shading are obvious. The reissue is far more nuanced and layered, the jangly guitars and cryptic vocals sounding better delineated and more intelligible. The surfaces are much quieter as well, the 180-gram MoFi LP possessing an eerie, digital-like absence of noise."
--Marc Mickelson, The Audio Beat, February 6, 2012

R.E.M. Lifes Rich Pageant Track Listing:

Side one – "Dinner Side"
1. "Begin the Begin" – 3:28
2. "These Days" – 3:24
3. "Fall on Me" – 2:50
4. "Cuyahoga" – 4:19
5. "Hyena" – 2:50
6. "Underneath the Bunker" – 1:25

Side two – "Supper Side"
1. "The Flowers of Guatemala" – 3:55
2. "I Believe" – 3:49
3. "What If We Give It Away?" – 3:33
4. "Just a Touch" – 3:00
5. "Swan Swan H" – 2:42
6. "Superman" – 2:52

Réf.: LMF361
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39,00 €

Description du produit


Mobile Fidelity Sound Lab poursuit depuis plus de 30 années sa quête de perfection appliquée au support musical. Depuis le premier Vinyle UHQR jusqu'au plus récent UHR SACD ce label est et reste un des pionniers de l'innovation pour le support et sa qualité poussée jusqu'à la perfection.

Mobile Fidelity a toujours privilégié les équipements de mastering les plus neutres et les plus à même de dévoiler les plus subtiles détails d'une bande originale sans ajouter de coloration ou de détérioration.

Ce label fait partie des rares à investir depuis sa création dans des technologies audio débouchant sur des innovations véritables au service de la qualité sonore. Ces améliorations ont toujours été appréciées par les consommateurs du monde entier qui ont fait le succès de ce label au fil des années.

La collaboration étroite que Mobile Fidelity entretient avec de grands spécialistes de la reproduction audio comme Tim de Paravicini, Ed Meitner, Pass Labs, Theta Digital and Sony Electronics n'est pas étrangère à la qualité générale de ses productions.




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