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CAROLE KING / The Carnegie Hall Concert June18th 1971 - SACD Hybrid - Numbered Limited Edition
[MFSA2067]

32.00€
CAROLE KING / The Carnegie Hall Concert June18th 1971 - SACD Hybrid - Numbered Limited Edition
CAROLE KING / The Carnegie Hall Concert June18th 1971 - SACD Hybrid - Numbered Limited Edition

From-the-Vault Live Release Captures Iconic Singer-Songwriter at Height of Her Breakout Period

Mastered from the Original Tapes: Intimate Sonics Make It Seem Like King is Sitting Five Feet Away

Stripped-Down Songs Teem With Warmth, Nuance, Emotion; James Taylor Also Appears

Music Also Available on Hybrid SACD from Mobile Fidelity

Also Available on Numbered Limited Edition 180g 2LP from Mobile Fidelity

Every so often, a from-the-vault release captures our hearts, minds, and attention in such a way that it’s impossible not to tell all family, friends, and neighbors about its existence. Originally issued to commemorate the 25th anniversary of Tapestry, Carole King’s The Carnegie Hall Concert: June 18, 1971 is such a record, a fortunate document of an absolutely magical period in the singer-songwriter’s legendary career and a revealing look at the then-stagefright artist turning in a commanding performance just as she was becoming a superstar.

Mastered from the original tapes, Mobile Fidelity’s numbered limited-edition hybrid SACD of this compelling concert album brims with liveliness, depth, dimension, detail, and transparency. The nuances of King’s spare performances and warm vocals emanate as if she’s sitting five feet away. Stripped down even further than they are on the studio albums, songs breathe with palpable earnestness and emotion, the subtle differences from their more polished studio brethren allowing listeners an insight into King’s creative genius.

At the time of its recording, King still suffered from shyness—and who could blame her? She had been accustomed to penning lyrics for other artists and sitting behind a desk in the Brill Building. Only recently did King strike out on her own and enter the public realm. This set encapsulates this contrast in thrilling fashion. Disarmingly genuine and daringly honest, The Carnegie Hall Concert: June 18, 1971 benefits from the inclusion of King’s nervous between-song banter that exposes who she is as a person and performer. Most importantly, despite her anxiety, she turns out stirring renditions of tunes from 1970’s Writer, Tapestry, and even a few from the yet-unreleased Music (also available on Hybrid SACD from Mobile Fidelity).

Her control is demonstrated on the record’s six opening cuts, which feature King alone at her piano. For the remainder of the program, she’s accompanied by guitarist Danny Kortchman, bassist Charles Larkey, and a string quartet, which enter and exit according to arrangement. As such, the concert is profoundly intimate and personal, an “unplugged” session that predated the use of the term by nearly two decades. Longtime collaborator James Taylor joins her for a memorable medley of some of her biggest hits—“Will You Love Me Tomorrow/Some Kind of Wonderful/Up on the Roof”—the chemistry evident of why the duo’s 2010 tour was one of the most in-demand outings in years.

Mobile Fidelity’s remastered sound ties everything together and is what makes this release extra special. By going to the original source, the audiophile label considerably opens up the sonic perspectives, revealing the spacious acoustics of the famed venue that act in concert with King’s music. In particular, the songs from Writer benefit from the no-nonsense production. You can literally picture King’s piano beside her, and her voice—sincere, tender, melodic—is rich, full-bodied, and penetrating. Listeners can even hear it crack on occasion, the results a consequence of her nerves. Unpolished and non-synthetic, the performance is better for it.

No, they don’t make albums like this anymore. The Carnegie Hall Concert: June 18, 1971 as real as it gets. And so is the sound.

"…It is an exercise in subtlety, finesse, and warmth, brimming with familiar material but reinterpreted so it can't be mistaken for the vocal/piano tracks of the studio album itself. If you're of a certain age, this will have you blabbing like a baby."
-Ken Kessler, HiFi News, July 2011

Carole King The Carnegie Hall Concert: June 18, 1971 Track Listing:

1. "I Feel the Earth Move" – 3:36
2. "Home Again" – 2:45
3. "After All This Time" – 3:19
4. "Child of Mine" (Gerry Goffin, King) – 4:03
5. "Carry Your Load" – 2:59
6. "No Easy Way Down" – (Goffin, King) 5:32
7. "Song of Long Ago" – 3:24
8. "Snow Queen" (Goffin, King) – 3:51
9. "Smackwater Jack" (Goffin, King) – 3:49
10. "So Far Away" – 4:12
11. "It's Too Late" (King, Toni Stern) – 4:22
12. "Eventually" (Goffin, King) – 4:38
13. "Way over Yonder" – 4:13
14. "Beautiful" – 2:39
15. "You've Got a Friend" [Performed with James Taylor] – 6:25
16. "Will You Still Love Me Tomorrow?"/"Some Kind of Wonderful"/"Up on the Roof" [medley; performed with James Taylor] (Goffin, King) – 7:46
17. "(You Make Me Feel Like) A Natural Woman" (Goffin, King, Jerry Wexler) – 4:09


Style : Pop - Rock Media : SACD Price : 32.00€
Label : Mobile Fidelity
This product was added to our catalog on Tuesday 06 March, 2012.
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Mobile Fidelity Sound Lab's ongoing quest is to deliver the foremost sounding audio entertainment software that technological innovation can provide. From our first UHQR™ vinyl LP to our latest Ultradisc UHR™ SACD, we have been and will remain a steadfast innovator in the audiophile frontier. We further believe that technological development serves best when accompanied by a profound awareness and appreciation for the elusive magic and mystery that comprises music itself. Our greatest hope is that our products will serve as conduits for ears ands souls to experience premium, pure, natural sound reproduction of diverse, pre-eminent original master recordings across the entire musical spectrum.

Mobile Fidelity believes that mastering systems should be neutral and transparent. The essential idea is to unveil all the detailed musical information on the original master recording without adding deterioration, coloration or other sonic artifacts.

It is worth noting that Mobile Fidelity Sound Lab stands out as one of few record labels that independently invests in research and development of audio technology. With proprietary innovations such as GAIN 2™, general music enthusiasts and audiophiles alike have reaped the benefit of a higher consumer audio standard without investing in costly new hardware. Mobile Fidelity is pleased to work with a variety of engineering legends and companies including Tim de Paravicini, Ed Meitner, Pass Labs, Theta Digital and Sony Electronics. Our joint efforts to seek out the ultimate audio experience, has resulted in significant advances for the technology of music reproduction.

Mobile Fidelity Sound Lab has been the undisputed pioneer and leader in audiophile recordings since the company's inception in 1977. Established by dedicated audiophiles, Mobile Fidelity's first and foremost goal was to offer faithfully reproduced high fidelity recordings that would compliment the numerous advances occurring in audio delivery systems. Throughout its history, Mobile Fidelity has remained true to this goal, pioneering state-of-the-art technologies and setting audiophile standards that remain in place today.

In response to rapid advancements in both recording formats and audio delivery systems over the past several years, Mobile Fidelity has maintained its ongoing commitment to improving industry standards. This has resulted in the introduction of numerous innovations in the audiophile arena: half-speed mastered Original Master Recording™ LPs, Ultra High Quality Records™ (UHQRs), high fidelity cassettes, consumer alignment devices for phono cartridges and audio cassette decks, Original Master Recording™ compact discs, the 24-karat gold plated Ultradisc™ CD and the Ultradisc™ Ultra High Resolution™ (UHR). To this day the independently owned firm continues its commitment to exceeding industry standards.


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