ELLA FITZGERALD & LOUIS ARMSTRONG / Ella & Louis
Un disque que l'on ne présente plus, fruit de la collaboration entre Ella Fitzgerald, la Grande Dame, le non-moins fameux Louis Armstrong, trompettiste et chanteur légendaire. Redécouvrez cet enregistrement mythique en CD, bénéficiant un Mastering en 32Bit.
Ultra High Definition 32-Bit Mastering!
This Ultra HD 32-Bit Mastering CD will play on ALL CD players!
The very fact that America's biggest jazz label called one of their albums quite simply Ella and Louis indicates that we are talking about something very special here. And surely enough has been said--"Satchmo" and the grand dame of jazz certainly need no further introduction. In the 1950's just the mere mention of their forenames was enough to light up the eyes of jazz fans. A glance at the track list reveals that tranquility rules the day; wild stomps and improvised scats will neither be sought nor missed. Of prime importance to the jazz ballad is a feeling of "letting oneself drift" in the inspiration which gushes forth from the minds of genial American songwriters.
Ultra High Definition 32-Bit Mastering!
Ultra High Definition 32-Bit Mastering is a proprietary ultra-high-quality mastering system. This leading-edge system has achieved unprecedented sonority and musicality, reproducing as closely as possible the sound of the original master tape! This format employs what is currently the highest attainable resolution bit depth (word length) in the professional audio field, i.e. 32-bit. 32-bit resolution makes possible maximized, undistorted dynamics, and the lowest noise floor, allowing even the quietest musical information to be heard more clearly. This breakthrough results from the development, through years of experience and application of advanced digital technology, of a sophisticated A/D and D/A processing system.
Ultra HD 32-Bit Mastering does not specify a sampling rate; this allows flexibility in meticulously choosing the appropriate bandwidth for a particular recording. The higher the sampling rate -- for example, 192 kHz -- the greater the bandwidth. However, merely employing the greatest bandwidth may not guarantee the ultimate sound. With some recordings, a lower sampling rate -- 96 or 176 kHz -- may offer better musicality and more homogeneous harmonics. This determination requires careful and discerning auditioning and professional judgment. In the end, the human being’s hearing and emotions should be the final arbiter, rather than the print-out of testing equipment or technical measurements.
Recognizing these variables, FIM nevertheless tries to use 32-bit depth and 192 kHz bandwidth whenever the original analog master is at hand. Alternatively, if the original recording is on 24/96, the 32/96 may eventually be used to maintain the integrity of the sonority particular to that recording. With this flexibility, First Impression Music believes that preeminent sound is only achievable when the chemistry of the recording, mastering, glass-stamper making, replication, and quality control is right. As always, listening is believing.
This recording has been mastered by the new Ultra High Definition 32-Bit Mastering process, which creates an unbelievable sound surpassing other formats!
1. Can't We Be Friends
2. Isn't This a Lovely Day
3. Moonlight In Vermont
4. They Can't Take That Away From Me
5. Under a Blanket of Blue
7. A Foggy Day
8. Stars Fell on Alabama
9. Cheek To Cheek
10. The Nearness of You
Louis Armstrong, vocals, trumpet
Ella Fitzgerald, vocals
Ray Brown, bass
Herb Ellis, guitar
Oscar Peterson, piano
Buddy Rich, drums
The benefits of Ultra HD 32-Bit Mastering:
• Ambience of Analogue Sound
• Higher Resolution
• Undistorted Dynamics
• The Lowest Noise Floor, allowing even the quietest musical information to be heard more clearly!
• Richer Sound Field
• Master-Tape Quality Sound!!!
• Delivers what musicians originally intended!
• Ultra HD Mastering
• Beautifully packaged
• Playable on ALL CD Players!